Rahmaniac.com is a dedicated tribute to the Academy Award Winning Musician A.R. Rahman
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‘I Want to Build a Bridge for People Who Are Trying to Break It’ – A.R. Rahman
‘I Want to Build a Bridge for People Who Are Trying to Break It’ – A.R. Rahman
‘Sound Is Everywhere’ – Sivamani’s Kitchen-Trained Journey with A.R. Rahman
‘Sound Is Everywhere’ – Sivamani’s Kitchen-Trained Journey with A.R. Rahman
‘He Woke Me Up, Got the Tune in a Dream’ – Rakeysh Omprakash Mehra on A.R. Rahman’s Magic
‘He Woke Me Up, Got the Tune in a Dream’ – Rakeysh Omprakash Mehra on A.R. Rahman’s Magic
‘We Came for the Music But Stayed for the Man’ – Gopal Srinivasan on A.R. Rahman
‘We Came for the Music But Stayed for the Man’ – Gopal Srinivasan on A.R. Rahman
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The Spirit Of Music

30 posts

When A.R. Rahman’s first film Roja was released in 1992, its astonishing music—marked by other-worldly melodies, rich tonal textures, and pulsating rhythms—made an immediate impact in India. His abundant talent has breathed life into the scores of over a hundred films, including Dil Se, Bombay, Lagaan, Warriors of Heaven and Earth, 127 Hours, and Jodhaa Akbar.

According to a recent BBC estimate, 150 million copies of his albums have been sold worldwide. Rahman has won numerous awards, including a Golden Globe, a BAFTA, two Oscars, and two Grammys for his score in Slumdog Millionaire. In 2010, he received the Padma Bhushan, India’s third highest civilian honor. Despite his immense success, Rahman remains a deeply private person, shying away from the glitz and glamour of show business.

A.R. Rahman: The Spirit of Music features biographical conversations between Rahman and Nasreen Munni Kabir, chronicling his incredible journey from modest beginnings to a revered place in world music history.

“A Song Has to Come to You Like the Breeze” – A.R. Rahman on His Compositional Philosophy
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3 minute read

“A Song Has to Come to You Like the Breeze” – A.R. Rahman on His Compositional Philosophy

In an interview with Nasreen Munni Kabir, A.R. Rahman discusses his approach to composing, emphasizing the natural, instinctive process behind his music and the lasting impact of true musicality.
May 25, 2024
“Music Is Coming Through Me, Not From Me” – A.R. Rahman on the Evolution of Indian Film Music
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4 minute read

“Music Is Coming Through Me, Not From Me” – A.R. Rahman on the Evolution of Indian Film Music

In an interview with Nasreen Munni Kabir, A.R. Rahman reflects on the changing tastes of Indian audiences, the unique challenges of film composition, and the joy of creating music without constraints.
May 25, 2024
“My Father Left Me Some Musical Instruments and Tremendous Goodwill” – A.R. Rahman
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3 minute read

“My Father Left Me Some Musical Instruments and Tremendous Goodwill” – A.R. Rahman

In an interview with Nasreen Munni Kabir, A.R. Rahman reminisces about his childhood, the profound influence of his father, and the supportive role of his family, shedding light on the personal experiences.
May 25, 2024
“Music Was Only My Path to Survival” – A.R. Rahman on His Early Struggles and Success
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4 minute read

“Music Was Only My Path to Survival” – A.R. Rahman on His Early Struggles and Success

In an interview with Nasreen Munni Kabir, A.R. Rahman discusses the challenges he faced after his father's death, how he was thrust into the world of music, and the intense work ethic that fueled his rise to fame.
May 25, 2024
“Jingles Were My Gateway to Creative Freedom” – A.R. Rahman on His Early Compositions
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5 minute read

“Jingles Were My Gateway to Creative Freedom” – A.R. Rahman on His Early Compositions

In an interview with Nasreen Munni Kabir, A.R. Rahman shares his journey from session musician to jingle composer, reflecting on the creative freedom jingles offered and the influential people he met along the way.
May 25, 2024
“I Wanted Him to Come to My Studio” – A.R. Rahman on Meeting Mani Ratnam for the first time
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6 minute read

“I Wanted Him to Come to My Studio” – A.R. Rahman on Meeting Mani Ratnam for the first time

In an interview with Nasreen Munni Kabir, A.R. Rahman recounts his first meeting with director Mani Ratnam and the beginnings of their collaboration on Roja. A.R. also shares insights on transitioning from jingles to film music.
May 25, 2024
“Arabic Music Has a Big Influence on World Music Now” – A.R. Rahman on Global Inspirations
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4 minute read

“Arabic Music Has a Big Influence on World Music Now” – A.R. Rahman on Global Inspirations

In an interview with Nasreen Munni Kabir, A.R. Rahman reflects on the profound influence of Arabic music on his work and the global music scene. He shares insights on his collabs with iconic artists like Nusrat Fateh Ali Khan.
May 25, 2024
“How to Give Shankar What He Wants, Yet Do It My Way” – A.R. Rahman on working with S. Shankar
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5 minute read

“How to Give Shankar What He Wants, Yet Do It My Way” – A.R. Rahman on working with S. Shankar

In an interview with Nasreen Munni Kabir, A.R. Rahman recounts his collaboration with director S. Shankar, starting with Gentleman in 1993. Rahman discusses the challenges of composing for his commercial films.
May 25, 2024
“Lullaby for a Death Scene” – A.R. Rahman on Composing ‘Lukka Chuppi’ for Rang De Basanti
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4 minute read

“Lullaby for a Death Scene” – A.R. Rahman on Composing ‘Lukka Chuppi’ for Rang De Basanti

In an interview with Nasreen Munni Kabir, A.R. Rahman discusses his innovative process for composing Rang De Basanti, including the use of "Luka Chuppi" and his experimental collaboration with director Rakeysh Mehra.
May 25, 2024
“Never Ever Believe You Are Less Than Anyone” – A.R. Rahman on Musical Individuality
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4 minute read

“Never Ever Believe You Are Less Than Anyone” – A.R. Rahman on Musical Individuality

In an interview with Nasreen Munni Kabir, A.R. Rahman emphasizes the importance of individuality in music and the innovative elements in songs like “Main Vari Vari” from The Rising.
May 26, 2024