After extracting brilliant soundtracks from the maestro in Lagaan and Swades, Ashutosh Gowariker asked A.R. Rahman to compose the music for his 2008 historical romance, Jodhaa Akbar.
The album opens with ‘Azeem-O-Shaan Shahenshah’, a song expertly composed and arranged by Rahman. The rousing anthem that celebrates Emperor Akbar has the ability to take the listener to a celebratory royal ceremony or the battlefield without any visuals with the bugles, heavy drums, a war-chant like chorus coming together expertly. Whilst the horns and drums almost constantly feature in this rousing anthem, they do fade sporadically and Rahman uniquely uses the sound of battle weapons, like that of the thrust of a sword.
A.R .Rahman composed ‘Khwaja Mere Khawaja’ in 2005, just for his own listening pleasures. After Gowarikar shared the film’s story and the influences of Sufis and Khwaja, he let the filmmaker know about the song. Rahman’s spiritual teacher, whose identity is not known, wrote the lyrics for Khwaja Mere Khwaja using the pen name of Kashif. The composer has often proved to be an inadequate singer, but for ‘Khwaja Mere Khwaja’, Rahman is the perfect choice. His soulful, high-pitched vocals are honest and his reverent singing makes the song a truly transcending experience.
O Palaanhare’ (Lagaan) and ‘Pal Pal Hai Bhari’ (Swades), Rahman composes a bhajan style song for this album. Bela Shende expertly delivers ‘Mann Mohanaa’ against a rich orchestration (where the flute stands out).
Javed Ali sings ‘Jashn-e-Bahara’, a mainstay in most ‘romantic’ playlists. His very sweet vocals do thorough justice to Rahman’s enchanting melody and Javed Akhtar’s bewitching lyrics. Sonu Nigam and Madhushree expertly croon the romantic ‘In Lamhon Ke Daaman Mein’.
A serene song, this love duet provides much more variety, energy and emotion than ‘Jashn-e-Bahara’. It is truly a testament to Rahman’s abilities that he manages to make two love songs, both adorned by strings, vocals and ultimately the melody, distinct enough to stand apart from each other and simultaneously, malleable enough for one to pave the way for another in the movie.
Article Credits: Aakriti Mehrotra for The Humming Heart
