Rahmaniac.com is a dedicated tribute to the Academy Award Winning Musician A.R. Rahman
Browsing Category

Between 1996 – 2000

18 posts
Building the Soundtrack of a Nation: A.R. Rahman’s Rise to Musical Royalty
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Building the Soundtrack of a Nation: A.R. Rahman’s Rise to Musical Royalty

From composing jingles in a tiny studio to selling 40 million albums in just three years, A.R. Rahman's fusion of traditional ragas with cutting-edge technology transformed Bollywood's soundscape and captured the hearts of millions worldwide.
Music is a Sacred Ritual: A.R. Rahman on Perfection, Prayer, and Balancing Family Life
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Music is a Sacred Ritual: A.R. Rahman on Perfection, Prayer, and Balancing Family Life

In this candid interview with Ananda Vikatan, A.R. Rahman discusses his creative process, the power of prayer in his work, and his views on music, family, and social issues.
‘Every Song is Like My Child’: Rahman on Night Sessions, Ragas, and Creative Freedom
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‘Every Song is Like My Child’: Rahman on Night Sessions, Ragas, and Creative Freedom

Why does A.R. Rahman work at night? How does he choose ragas? The musical maestro discusses his artistic decisions, classical training, and why creativity can't follow a clock.
I blend elements from various traditions to create original music – A.R. Rahman
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I blend elements from various traditions to create original music – A.R. Rahman

The interview titled "Making music with A R Rahman" which appears below, was originally published on Chennai News…
If I lose my concentration for even a moment, I have to start from the beginning – A.R. Rahman
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If I lose my concentration for even a moment, I have to start from the beginning – A.R. Rahman

A.R. Rahman opens up about his journey, creativity, and life’s influences in this heartfelt interview with The Week. From his working style to his faith, he reflects on the moments that shaped him.
‘Mani Said Make It Happy’: How Rahman’s Iconic ‘Dil Hai Chota Sa’ from Roja Was Born
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‘Mani Said Make It Happy’: How Rahman’s Iconic ‘Dil Hai Chota Sa’ from Roja Was Born

"Initially, I had done 'Dil hai chota sa' as a sad sequence." Rahman reveals how Mani Ratnam's suggestion transformed his first hit, breaking traditional song structure along the way.
‘It Shouldn’t Feel Like an Exam’: Inside A.R. Rahman’s Unique Recording Method
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‘It Shouldn’t Feel Like an Exam’: Inside A.R. Rahman’s Unique Recording Method

No rushed sessions, no waiting artists. Musical maestro A.R. Rahman reveals how his Chennai studio becomes a creative haven where singers forget time and deliver their best performances.
‘I’m Not a Machine’: Rahman on Creative Process, Chart-Busters, and Taking His Time
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‘I’m Not a Machine’: Rahman on Creative Process, Chart-Busters, and Taking His Time

"I'm a creative person, not some machine," says Rahman, discussing his selective projects, collaboration with top directors, and why good music takes time to create.
‘Mani Ratnam Makes Me Sleepless’: Rahman on His Greatest Musical Inspiration
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‘Mani Ratnam Makes Me Sleepless’: Rahman on His Greatest Musical Inspiration

"When I work with him he wants the best and something international, so you don't sleep for days." Rahman reveals how Mani Ratnam pushes him to musical excellence.
My role in Ilaiyaraaja’s ‘Punnagai Mannan’ was that of an operator – A.R. Rahman
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My role in Ilaiyaraaja’s ‘Punnagai Mannan’ was that of an operator – A.R. Rahman

In a 1997 interview, A.R. Rahman discusses his early career, including his role in Ilaiyaraaja's 'Punnagai Mannan', his approach to music composition, and reflections on his rising success in the film industry.