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Print Interviews: 2000
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Step into the year 2000 with A.R. Rahman as he shares his thoughts on his musical journey, his approach to creating timeless melodies, and his observations on the ever-evolving music industry. In a series of laid-back yet insightful conversations, Rahman offers a glimpse into the passion and innovation that fuel his work.
I blend elements from various traditions to create original music – A.R. Rahman
The interview titled "Making music with A R Rahman" which appears below, was originally published on Chennai News…
I’ve set the price that reflects the worth of my talent and time – A.R. Rahman
The interview titled which appears below, was originally published on Rediff.com in February 2000. ©The rights to this…
If I lose my concentration for even a moment, I have to start from the beginning – A.R. Rahman
A.R. Rahman opens up about his journey, creativity, and life’s influences in this heartfelt interview with The Week. From his working style to his faith, he reflects on the moments that shaped him.
‘Mani Said Make It Happy’: How Rahman’s Iconic ‘Dil Hai Chota Sa’ from Roja Was Born
"Initially, I had done 'Dil hai chota sa' as a sad sequence." Rahman reveals how Mani Ratnam's suggestion transformed his first hit, breaking traditional song structure along the way.
‘Ishwar Allah’: How A.R. Rahman Created a Peace Message Song in 24 Hours
"The bhajan Ishwar Allah was written and composed in one day," reveals Rahman. Created for Earth's partition story, this spontaneous composition became a timeless prayer of unity.
‘You Can’t Betray Listeners’ Trust’: Rahman on Taking His Time to Get Music Right
From composing without scripts to refusing to rush music, Rahman reveals his unconventional methods while preparing for global stage. "I don't think I've done anything special yet."
‘Always Wanted My Music Beyond India’s Walls’: A.R. Rahman’s Dream Comes True
"I've had the wish to compose international projects right from Roja." Twenty years later, A.R. Rahman's vision of taking Indian film music to global audiences becomes reality.
‘Now I’m Thinking About This Millennium’: Rahman on Looking Ahead, Not Back
"I've forgotten Taal, Takshak, Dil Hi Dil Mein. Now I'm thinking about this millennium." Rahman reveals why he never dwells on past compositions, only future challenges.
‘It Shouldn’t Feel Like an Exam’: Inside A.R. Rahman’s Unique Recording Method
No rushed sessions, no waiting artists. Musical maestro A.R. Rahman reveals how his Chennai studio becomes a creative haven where singers forget time and deliver their best performances.
‘First Mani, Now Webber’: How Rahman’s Music Captured Two Master Storytellers
As Andrew Lloyd Webber hails Chaiyya Chaiyya for Bombay Dreams, Rahman discusses his creative process, international projects, and why he sometimes lives with a song for six months.