Originally, the song was about 25 minutes long. ARR often write six or seven mukhdas and then there are many variations. He also recorded the song Ay Hairathe for the film but Mani Ratnam felt it was too heavy to be at the start of the film. So Mani thought of using Tere Bina.

Suddenly, the song got a life of its own. But there was one hurdle for Rahman. He had recorded it in the voice of Qadir Khan and Qadir did an excellent job, according to Rahman . But Mani wanted Rahman to sing it. Rahman added “I said, Qadir will get hurt, and I did not want to hurt him. But there was no way of getting out. It became something like: Either you sing it or it won’t be there.”

Asking whether it was a black mail from Mani Ratnam, Rahman replied “But in a good way (chuckles). I also told Mani sir that I was fasting then and didn’t have the energy to sing it. He said he would wait.

The song as it is has some of Murtaza Khan and Qadir’s voices in the Dham Dara Dham Dara part at the beginning. Chinmayee joins Rahman later in the song.

Rahman on Aye Hairathe

I was listening to the music of Amir Khusroo and his song Yeh Sharbati Ashiqui. I loved it. But most of the song was in Persian and that was going to cause us a problem. So Gulzar saab wrote the lyrics inspired by Amir Khusroo. I would say it is one of the best songs that have come out with my association with Gulzar.

Rahman on making Hariharan sing in Aye Hairathe

It was very important that he sang the song. It is the kind of song Mohammad Rafi would have sung four or five decades ago. It is a traditional kind of melody with lots of feelings but Hariharan makes it sound modern. He has done an astounding job. The song has a lot of masti in it. You feel it especially when Alka Yagnik joins in. It is a romantic and fun song. It is the most popular song in the album after Tere Bina.

I am surprised universally people are going to listen to Tere Bina after listening to all songs in the album. Such a thing (like most people returning to one song) does not h
appen often.

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